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Sleeve-Letter Takasago (Sodefumi Takasago), no. 2 from a series of 12 prints...plays, c. 1716/35. Creator: Okumura Masanobu
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Sleeve-Letter Takasago (Sodefumi Takasago), no. 2 from a series of 12 prints...plays, c. 1716/35. Creator: Okumura Masanobu
Sleeve-Letter Takasago (Sodefumi Takasago), no. 2 from a series of 12 prints depicting parodies of plays, c. 1716/35
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Media ID 36200197
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Broom Genpachi Hand Colored Woodblock Print Legend Legendary Letter Masanobu Okumura Oban Oban Sumizuri E Okumura Masanobu Okumura Shinmyo Sleeve Sleeves Sumizuri E Sweeping Torii School Parody Satirical Takasago
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EDITORS COMMENTS
Sleeve-Letter Takasago, no. 2" is a captivating woodblock print from a series of twelve created by the renowned Japanese artist Okumura Masanobu during the 18th century. This intriguing print, believed to have been produced around 1716 or 1735, showcases a humorous and satirical take on traditional Japanese theater. The image features two women, dressed in elegant kimonos, standing in front of a torii gate. One woman, identified as Genpachi, holds a broom in her hand and appears to be sweeping the ground, while the other, likely Takasago, leans on a cane and looks intently at a letter in her hand. The print is titled "Sleeve-Letter Takasago," suggesting that the letter contains some secret or important message. The parody in this print lies in the fact that Genpachi, who is traditionally depicted as a male character in the Takasago legend, has been transformed into a woman. This playful twist on gender roles adds an element of surprise and intrigue to the print. The print is a prime example of the Oban Sumizuri-e style, which is characterized by its large format and intricate detail. The use of hand-coloring adds depth and vibrancy to the print, making the figures and their clothing stand out. The apparel worn by the women is typical of the eighteenth century, with flowing kimonos and elaborate obi belts. This print is a valuable addition to any collection of Asian art, particularly for those with an interest in Japanese history, theater, and fashion. The satirical and humorous nature of the print makes it a unique and engaging piece that continues to captivate viewers today.
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