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St Jamess in October... 1750

St Jamess in October... 1750


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St Jamess in October... 1750

St Jamess in October. The King at Hanover. MDCCL (7 months absent), 1750. Possibly a satirical criticism of King George IIs prolonged absence in his home country. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

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Media ID 14917389

© The Print Collector / Heritage-Images

Duke Of Brunswick Luneburg Emily Morse Emily Morse Symonds George Ii George Ii Augustus George Paston Hanover Holiday King George Ii King Of Britain And Ireland Knife Grinder Londoner Paston St Jamess Symonds


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> Arts > Artists > W > George White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

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> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > England > London > Royalty


St James's in October. . . 1750 - A Satirical Glimpse into King George II's Absence

EDITORS COMMENTS
. This intriguing print, titled "St James's in October. . . 1750" offers a fascinating glimpse into the political climate of eighteenth-century Britain. Created by an unknown artist and featuring over two hundred illustrations by George Paston (the pseudonym of Emily Morse Symonds), this piece captures the essence of social caricature during that era. The image depicts St James's, a vibrant city district in London, bustling with people from various walks of life. Amidst the lively scene, one cannot help but notice the absence of King George II, who is humorously portrayed as being away at Hanover for seven long months. This satirical criticism highlights the prolonged absence of the monarch from his own country. The print cleverly incorporates elements such as occupation and trade to convey its message. One can spot a knife grinder diligently working while women enjoy their holiday in St James's. The juxtaposition between hardworking individuals and an absent king adds depth to this artistic commentary on power dynamics. While it remains unclear who exactly created this thought-provoking artwork, its historical significance cannot be denied. By shedding light on issues surrounding royalty and governance during that time period, this print serves as a testament to both artistic expression and societal critique.

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