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Station of the Cross No. 10: "Jesus is Stripped of His Garments, c. 1936
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Station of the Cross No. 10: "Jesus is Stripped of His Garments, c. 1936
Station of the Cross No. 10: " Jesus is Stripped of His Garments, c. 1936
Heritage Images features heritage image collections
Media ID 23884803
© Heritage Art/Heritage Images
Bleeding Blood Calvary Crucified Crucifix Crucifixion Cruelty Garment Geoffrey Holt Golgotha Holt Geoffrey Humiliated Humiliating Humiliation Passion Of Christ Public Punishing Punishment Station Of The Cross Christ Jesus Gouache Stripped
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EDITORS COMMENTS
Station of the Cross No. 10: "Jesus is Stripped of His Garments, c. 1936" - A Profound Depiction of Humiliation and Sacrifice". This print by Geoffrey Holt takes us back to a significant moment in Christian history - Jesus being stripped of his garments before his crucifixion on Calvary. Created in the 1930s, this artwork showcases Holt's exceptional talent for capturing emotion and conveying powerful narratives through art. In vivid color and meticulous detail, we witness Jesus standing amidst a group of people as they cruelly remove his clothing. The artist's use of watercolor gouache, colored pencil, and graphite brings depth to the image while emphasizing the redness symbolizing Christ's bloodshed during this agonizing ordeal. Holt masterfully portrays both male and female figures involved in this act of humiliation, highlighting their indifference or even enjoyment at inflicting pain upon Jesus. Their faces reveal a range of emotions - from apathy to sadistic pleasure - underscoring the cruelty that was inflicted upon our Savior. The composition draws our attention to Jesus himself; despite being subjected to such degrading treatment, he maintains an aura of serenity and grace. This portrayal reminds us not only of Christ's physical suffering but also his unwavering commitment to fulfilling God's plan for salvation. Displayed at the National Gallery of Art in Washington D. C. , this artwork stands as a testament to America's rich artistic heritage and its exploration into religious themes during the early 20th century. Holt's skillful technique combined with profound storytelling makes this piece an enduring representation of faith, sacrifice, and redemption for all who view it.
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