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Stereoscope, 1905-1920. Creator: A. Mattey
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Stereoscope, 1905-1920. Creator: A. Mattey
Stereoscopes, dating from 1832, were devices for viewing a pair of separate stereoscopic images, depicting left-eye and right-eye views of the same scene, creating a single three-dimensional image. French stereoscope that is comprised of a wooden box with glass eyepieces and metal hardware. Above the black edged lenses is a metal plaque that reads, [76 / UNIS-FRANCE / 3 / STEROSCOPES - PARIS]. Underneath the lenses, a semi-circle is cut out of the wood for the viewers nose. A metal turn is on the proper right of the stereoscope. A long thin rectangle is cut out to allow the metal hinge to be moved up and down. This opens the back of the stereoscope. The back door of the stereoscope is glass with wooden borders attached to the main body by a metal hinge at the bottom
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Media ID 23857703
© Heritage Art/Heritage Images
Black History Cinematography Cultural Heritage Heritage Nmaahc Stereoscope Afro American Viewer
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EDITORS COMMENTS
This print showcases a remarkable piece of history, the Stereoscope, dating back to 1905-1920. Created by A. Mattey, this French stereoscope is an exquisite wooden box adorned with glass eyepieces and metal hardware. The device allowed viewers to experience the magic of three-dimensional images by presenting separate left-eye and right-eye views of the same scene. Above the lenses, a metal plaque proudly displays its origin as "UNIS-FRANCE / STEROSCOPES - PARIS" adding a touch of elegance to its design. The wooden frame beneath features a thoughtful cutout in the shape of a semi-circle for comfortable viewing, accommodating the viewer's nose perfectly. A unique feature lies on the proper right side—a metal turn that allows users to open up the back door effortlessly. This reveals a glass panel bordered by wood attached through a sturdy metal hinge at its base. The Stereoscope's craftsmanship speaks volumes about its cultural heritage and significance in entertainment history. It represents an era when cinematography was still emerging as an art form and photography was evolving into new dimensions. Now housed within the National Museum of African American History and Culture (NMAAHC), this object stands as both an emblematic representation of technological advancement during early 20th-century America and as part of black history's rich tapestry. As we gaze upon this stunning creation captured by A. Mattey's lens, we are reminded not only of our nation's progress but also how far we have come in preserving our heritage through objects like these—testaments to innovation and human creativity throughout time.
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