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Studio portrait of unidentifed young man, seated on prop hay bale, c1870-c1879. Creator: George Wolleston Kirk

Studio portrait of unidentifed young man, seated on prop hay bale, c1870-c1879. Creator: George Wolleston Kirk


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Studio portrait of unidentifed young man, seated on prop hay bale, c1870-c1879. Creator: George Wolleston Kirk

Studio portrait of unidentifed young man, seated on prop hay bale, c1870-c1879

Heritage Images features heritage image collections

Media ID 36272997

© Heritage Art/Heritage Images

Carte De Visite Cartes De Visite Formal Formal Dress Leaning Leaning On Elbow New York Public Library Nypl Public Library Schomburg Center For Research Sepia Afro American Young Man


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> Africa > Related Images

> Arts > Artists > Y > Art Young

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Street art graffiti > Portraits > Portrait photography

> North America > United States of America > New York > New York > Sights > New York Public Library

> North America > United States of America > New York > Related Images

> North America > United States of America > Virginia > Related Images

> North America > United States of America > West Virginia > Related Images


EDITORS COMMENTS
This 19th century carte de visite captures the enigmatic portrait of an unidentified young African American man, seated on a prop hay bale. The image, created by renowned photographer George Wolleston Kirk between 1870 and 1879, is a testament to the rich history of African American portraiture during this era. The young man is dressed in a formal suit, complete with a crisp white shirt, dark vest, and a neatly tied bow tie. His attire suggests an air of sophistication and affluence, which was not commonly associated with African Americans during this time. The suit, however, is contrasted by the rough texture of the hay bale, creating an intriguing juxtaposition between the urban and rural worlds. The man is leaning on one elbow, his body slightly turned away from the camera, giving the portrait an intimate and introspective feel. His gaze is fixed on a point beyond the frame, adding an element of mystery to the image. The sepia tone of the photograph further emphasizes the antiquity and nostalgia of the scene. This portrait is a valuable addition to the vast collection of heritage art at the Schomburg Center for Research in Black Culture, part of the New York Public Library. It offers a glimpse into the fashion trends and social norms of the time, as well as the complexities and nuances of African American identity during the late 19th century in the United States.

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