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Study for the painting of the engraver, Peter De Jode the Younger, 1913. Artist: Anthony van Dyck

Study for the painting of the engraver, Peter De Jode the Younger, 1913. Artist: Anthony van Dyck


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Study for the painting of the engraver, Peter De Jode the Younger, 1913. Artist: Anthony van Dyck

Study for the painting of the engraver, Peter De Jode the Younger, 1913. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

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Media ID 14927335

© The Print Collector / Heritage-Images

Anthony Anthony Van Anthony Van Dyck Anthony Van Dyke Anthony Vandyke Cuffs Dyck Dyke Engraver Great Masters Sir Anthonis Van Dyck Sir Anthony Sir Anthony Van Sir Anthony Van Dyck Sir Anthony Van Dyke Van Dyck Van Dyke Vandyke


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Renaissance Art

> Arts > Artists > D > Anthony Van Dyck

> Arts > Artists > D > Peter van Dyke

> Arts > Artists > Related Images

> Arts > Artists > V > Peter Vandyke

> Arts > Fine Art

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits


EDITORS COMMENTS
This print showcases a study for the painting of the esteemed engraver, Peter De Jode the Younger. Created by the renowned artist Anthony van Dyck in 1913, this piece is a testament to his mastery of capturing intricate details and emotions on canvas. In this portrait, we see a distinguished Italian man with a bearded face and a well-groomed moustache. His attire consists of an elegant grey jacket with cuffs that add an air of sophistication to his appearance. The artist's skillful use of color brings life to the subject's clothing, contrasting beautifully against the monochrome background. Standing confidently, Peter De Jode exudes professionalism and dedication to his craft as an engraver. Van Dyck's meticulous sketching captures every nuance of his subject's facial features and body language, showcasing both his technical prowess and ability to convey personality through portraiture. As one explores this print further, it becomes evident that Van Dyck was not only skilled at capturing physical likeness but also adept at conveying deeper layers of emotion within his subjects. This study transports us back in time to witness firsthand the Renaissance era through its detailed representation of clothing styles and cultural nuances. Overall, this print serves as a testament to Anthony van Dyck's status as one of history's great masters. It allows us to appreciate not only his artistic talent but also offers insight into the world of engraving during this period—a true treasure for art enthusiasts seeking glimpses into past professions and

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