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Syout, Caravanserail en Ruines, 1851-52, printed 1853-54

Syout, Caravanserail en Ruines, 1851-52, printed 1853-54


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Syout, Caravanserail en Ruines, 1851-52, printed 1853-54

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Media ID 20135041

© Heritage Art/Heritage Images

Archaeological Asyut Asyut Asyut Upper Egypt Egypt Caravanserai Felix Felix Teynard Salted Paper Print Teynard Teynard Felix Upper Egypt Mizraim


FEATURES IN THESE COLLECTIONS

> Africa > Egypt > Asyut

> Africa > Egypt > Related Images

> Arts > Artists > T > Felix Teynard

> Arts > Contemporary art > Photography > Landscape photography

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This print captures the mesmerizing beauty of "Syout, Caravanserail en Ruines" by Felix Teynard. Taken in 1851-52 and printed in 1853-54, this archaeological masterpiece transports us to a forgotten era in Upper Egypt. The ruins of the caravanserai stand as silent witnesses to centuries of history and trade that once thrived within its walls. Teynard's keen eye for detail is evident in every aspect of this photograph. The intricate architecture of the building, now weathered by time, still exudes an air of grandeur. The photographer skillfully uses light and shadow to enhance the dramatic effect, adding depth to the image. As we gaze upon this salted paper print, we are transported back in time to witness a landscape steeped in mystery and wonder. This photograph not only showcases Teynard's talent but also serves as a valuable record for archaeologists studying ancient civilizations. Displayed at the Metropolitan Museum of Art, this piece is a testament to Egypt's rich cultural heritage. It reminds us that even ruins can hold immense beauty and significance if we take the time to appreciate them. Felix Teynard's work continues to inspire photographers and art enthusiasts alike with his ability to capture both the physicality and essence of historical sites like Syout. Through his lens, he invites us on a journey through time where past meets present, leaving an indelible mark on our collective memory.

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