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Temple of Asseboua, Nubia, Egypt, 19th century. Artist: Hector Horeau

Temple of Asseboua, Nubia, Egypt, 19th century. Artist: Hector Horeau


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Temple of Asseboua, Nubia, Egypt, 19th century. Artist: Hector Horeau

Temple of Asseboua, Nubia, Egypt, 19th century. An avenue of sphinxes leading towards a pylon. Two temples were built at Wadi al-Sabua in the 18th and 19th dynasties by Amenhotep III and Rameses II

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Media ID 14873064

© Artmedia / Heritage-Images

19th Dynasty Ancient Egypt Desert Hector Hector Horeau Horeau Nubia Pylon Sphinx Ancient Egyptian Print Collector3


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EDITORS COMMENTS
This print takes us back in time to the 19th century, capturing the majestic Temple of Asseboua in Nubia, Egypt. The artist behind this masterpiece is Hector Horeau, who skillfully portrays an avenue of sphinxes leading towards a grand pylon. The Temple of Asseboua holds great historical significance as it was built during the 18th and 19th dynasties by two powerful pharaohs - Amenhotep III and Rameses II. This archaeological site showcases their devotion to religion and their desire to leave a lasting legacy. As we gaze at this monochrome image, we are transported to a desert location where remnants of ancient Egyptian civilization stand proudly amidst the vastness. The ruins evoke a sense of awe and wonder, reminding us of the rich cultural heritage that once thrived here. The avenue lined with sphinxes adds an air of mystery and intrigue, guiding our eyes towards the imposing pylon that guards the entrance to these sacred temples. It's easy to imagine people from centuries past walking along this road on their way to worship or seek spiritual guidance. Hector Horeau's artistic talent shines through as he captures every intricate detail with precision. Through his art media, he brings forth not only a visual representation but also conveys emotions tied to religious devotion and architectural marvels. This remarkable print serves as a testament to Egypt's enduring history and its significant contributions to human civilization.

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