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"The Bride" - painted by A. Solomon - from the Exhibition of the Royal Academy, 1856. Creator: Harvey Orrin Smith. "The Bride" - painted by A. Solomon - from the Exhibition of the Royal Academy, 1856. Creator: Harvey Orrin Smith

'The Bride' - painted by A. Solomon - from the Exhibition of the Royal Academy, 1856. Creator: Harvey Orrin Smith. 'The Bride' - painted by A. Solomon - from the Exhibition of the Royal Academy, 1856. Creator: Harvey Orrin Smith


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"The Bride" - painted by A. Solomon - from the Exhibition of the Royal Academy, 1856. Creator: Harvey Orrin Smith. "The Bride" - painted by A. Solomon - from the Exhibition of the Royal Academy, 1856. Creator: Harvey Orrin Smith

"The Bride" - painted by A. Solomon - from the Exhibition of the Royal Academy, 1856. Engraving of a painting, ...designed for the ladies, and is called "The Bride", one of Mr. Solomon's well-composed and well-painted pictures. The Bride in the picture is very lovely, and the contrast between the expressions on the face of the mother and the lady's maid very touching and very appropriate to the occasion. The dress of the Bride, we can assure the ladies, would please the most fastidious reporter of the "Morning Post". From "Illustrated London News", 1856

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Media ID 36321252

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Abraham Solomon Blossom Cheval Glass Cheval Mirror Dressing Room Fashionable Getting Married H Orrin Smith Co Harvey Orrin Smith Kitsch Looking Glass Maid Marrying Mirror Orange Blossom Orrin Smith H Co Orrin Smith Harvey Parent Pictures Romance Romancing Royal Academy Royal Academy Of Arts Smith Harvey Orrin Veil Wedding Wedding Day Wedding Dress


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> Arts > Artists > S > Abraham Solomon

> Arts > Artists > Y > Art Young

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > London > Fashion

> Europe > United Kingdom > England > London > Royalty

> Europe > United Kingdom > England > London > Towns > Welling


The Bride

EDITORS COMMENTS
is a captivating painting by Abraham Solomon, showcased at the Exhibition of the Royal Academy in 1856. This engraving, designed for the ladies, offers a glimpse into this exquisite artwork that continues to enchant viewers with its timeless beauty. The Bride in the painting is a vision of loveliness, her radiant countenance reflecting the joy and anticipation of the momentous occasion. The contrast between her serene expression and the touching gestures of her mother and the lady's maid adds an emotional depth to the scene, making it an appropriate and poignant representation of the marriage ceremony. The Bride's dress, a stunning creation of the era, is sure to please even the most discerning observer. The intricate details and elegant design, reminiscent of the Victorian era's fashionable trends, are captured in meticulous detail. The use of orange blossoms, a traditional symbol of marriage and new beginnings, adds a touch of nature and romance to the scene. This engraving, published in the Illustrated London News, invites us to step into the dressing room of the Bride, where she is surrounded by her loved ones on the day of her wedding. The Cheval glass, or looking glass, in the background allows us to see her reflection and appreciate the full beauty of her attire. The mother's proud gaze and the lady's maid's gentle assistance add to the intimate and personal nature of the moment, making "The Bride" a cherished work of art that continues to evoke feelings of romance, family, and the joys of marriage.

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