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Thomas Murray, 1696. Creator: John Smith
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Thomas Murray, 1696. Creator: John Smith
Thomas Murray, 1696
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Media ID 36269405
© Heritage Art/Heritage Images
John Smith Mezzotint Mezzotint On Laid Paper Self Portrait Smith John Laid Paper
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This striking monochrome portrait, titled "Thomas Murray, 1696" by John Smith, offers a glimpse into the Baroque era of 17th century Britain. The portrait, created as a mezzotint on laid paper, showcases the artistic mastery of Smith, who expertly captured the essence of his subject, Thomas Murray. Thomas Murray, the sitter in this portrait, is depicted with a serious expression, his piercing gaze fixed on an unseen horizon. He is dressed in the fashionable attire of the time, complete with a voluminous wig and a crisp, white collar. The intricate details of his clothing, the subtle textures of his fabric, and the fine lines of his facial features are all rendered with remarkable precision and depth by Smith's skilled hand. The portrait is a testament to the artistic techniques of the Baroque era, with its use of chiaroscuro, or strong contrasts between light and dark, adding depth and dimension to the image. The mezzotint process, which involves scratching the surface of a metal plate to create a textured image that can be inked and printed, allows for a rich, tonal range that brings the portrait to life. This portrait, now a part of the collection at the National Gallery of Art in Washington D.C., offers a glimpse into the past, transporting us back to a time of grandeur and elegance. It serves as a reminder of the enduring power of art to capture the essence of a moment in time, and to preserve it for future generations to appreciate and admire.
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