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Give not thy strength unto women, nor thy ways to that which destroyeth kings, c1820
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Give not thy strength unto women, nor thy ways to that which destroyeth kings, c1820
Give not thy strength unto women, nor thy ways to that which destroyeth kings, c1820. Satirical cartoon of King George IV, lampooning his excesses, with a quote from the Bible, Proverbs 31:3. From an album containing portraits and satirical caricatures related to the trial of Queen Caroline (1768-1821, also known as Caroline of Brunswick, consort of King George IV) in 1820
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Media ID 19046187
© The Print Collector/Heritage Images
Alcohol Bottle Bottles Broken Caroline Caroline Amelia Elizabeth Of Brunswick Caroline Of Brunswick Caroline Of Brunswick Wolfenbuttel Cruikshank Drunk Drunkenness George Cruikshank George Iv George Iv Of The United Kingdom His Majesty Hone King George Iv King Of Great Britain King Solomon Legislation Pains And Penalties Bill Pains And Penalties Bill 1820 Prince Of Wales Prince Regent Princess Of Wales Prinnie Prinny Queen Caroline Queen Consort Of George Iv Solomon William Hone Wine
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EDITORS COMMENTS
This satirical cartoon print from the 19th century captures the excesses of King George IV and his turbulent relationship with Queen Caroline. Created by renowned caricaturist George Cruikshank, it humorously depicts the king as a drunken figure surrounded by broken bottles and billowing smoke. The caption, taken from Proverbs 31:3 in the Bible, warns against giving one's strength to women or engaging in destructive behavior. The context behind this artwork lies within the trial of Queen Caroline, who was accused of adultery and misconduct. The image reflects public sentiment towards both monarchs during this tumultuous period in British history. King George IV is portrayed as overweight and intoxicated, symbolizing his perceived moral decay and lack of responsibility. Cruikshank's skillful engraving technique brings out intricate details that add depth to the satire. The use of black and white emphasizes contrasts between light and shadow, further enhancing the overall impact of the image. This historical artifact serves as a reminder of how political scandals can captivate public attention even centuries later. It also highlights society's fascination with royal figures' personal lives throughout history. As an important piece within an album containing portraits related to Queen Caroline's trial, this print offers valuable insights into popular opinion at that time. Its enduring relevance makes it a significant addition to any collection exploring social commentary or British monarchy during this era.
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