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Tippo Saibs peacock, 1844. Creator: Unknown
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Tippo Saibs peacock, 1844. Creator: Unknown
Tippo Saibs peacock, 1844. The Huma Bird, an ornament in the shape of a bird of paradise made from gold, rubies, emeralds, diamonds, pearls, silver gilt for Tipu, Sultan of Mysore. After Tipus defeat and death in 1799, his treasury and library in Seringapatam were ransacked by British forces. The Huma Bird was acquired by Marquess Wellesley for the Directors of the East India Company in 1799. It was then presented to George III. From " Illustrated London News", 1844, Vol I
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Media ID 20369659
© The Print Collector/Heritage Images
Bird Of Paradise Booty British India British Raj Fateh Ali Sahab Tipu Imperialism Jewel Jewelled Jewels Loot Looting Mornington Ornament Plunder Plundering Precious Stone Precious Stones Richard Colley Wellesley Stolen Sultan Sultan Tippoo Sahib Sultan Tippu The Raj Tiger Of Mysore Tippoo Sahib Tippoo Saib Tippoo Sultan Tippoo Sultaun Tippu Tippu Sultan Tipu Sultan Wellesley Black And British Empire Gold Colour Hindoostan Illustrated London News Lord Wellesley Richard Wellesley Sultan Of Mysore Tipu
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EDITORS COMMENTS
This print showcases the magnificent Tippo Saibs peacock, an exquisite ornament created for Tipu Sultan of Mysore in 1844. Crafted from a combination of gold, rubies, emeralds, diamonds, pearls, and silver gilt, this bird-shaped masterpiece is truly a sight to behold. However, its journey through history has been fraught with turmoil. After Tipu's defeat and subsequent death in 1799 at the hands of British forces who ransacked his treasury and library in Seringapatam, the Huma Bird became part of their spoils. Acquired by Marquess Wellesley on behalf of the Directors of the East India Company that same year, it was then presented to King George III. The image captures not only the beauty and intricacy of this jewel-encrusted creation but also serves as a reminder of Britain's imperialistic past. It symbolizes both conquest and plundering during a time when British India was under colonial rule. Published in "Illustrated London News" in 1844 as part of Volume I edition, this engraving offers us a glimpse into history while raising questions about ownership rights and cultural heritage preservation. The rich symbolism embedded within this photograph invites viewers to reflect upon concepts such as power dynamics between nations and the fate that befell treasures like these amidst colonization. As we admire this remarkable piece from centuries ago captured through monochromatic lenses, let us remember its significance beyond mere aesthetics – it represents an era marked by both awe-inspiring craftsmanship and complex historical narratives.
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