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Title Page for W.G. Becker's Beatrice Cenci, c1794. Creator: Daniel Nikolaus Chodowiecki
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Title Page for W.G. Becker's Beatrice Cenci, c1794. Creator: Daniel Nikolaus Chodowiecki
Title Page for W.G. Becker's Beatrice Cenci, c1794. From periodical: Leipziger Monatsschrift fur Damen fur 1795
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Media ID 36378466
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Beatrice Cenci Becker W G Becker Wg Becker Wilhelm Gottlieb Chodowiecke Daniel Nikolaus Chodowiecki Daniel Chodowiecki Daniel Nikolaus Daniel Chodowiecki Daniel Nikolaus Chodowiecke Daniel Nikolaus Chodowiecki Periodical Title Page W G Becker Wg Becher Wg Becker Wilhelm Gottlieb Becker
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EDITORS COMMENTS
This title page, created by Daniel Nikolaus Chodowiecki in 1794, announces the publication of Wilhelm Gottlieb Becker's "Beatrice Cenci" in the Leipziger Monatsschrift fur Damen (Leipzig Monthly for Ladies) for 1795. The title page, etched in black and white, is a visual feast that sets the stage for Becker's literary masterpiece. At the center of the image, Beatrice Cenci, a tragic figure from Italian history, stands with her children. Dressed in a flowing robe, her expression is one of determination and resolve. Her children cling to her protectively, their faces filled with fear and uncertainty. Behind them, a man, believed to be her abusive husband, is shown in a menacing pose, with a sinister grin on his face. The title of the work, "Beatrice Cenci," is written in elegant, flowing script at the top of the page, while the subtitle, "A Historical Tale," is inscribed at the bottom. The title page is a visual representation of the story's themes of abuse, vengeance, and the strength of a mother's love. Daniel Nikolaus Chodowiecki's depiction of Beatrice Cenci is a testament to the power of art to convey complex ideas and emotions through a single image. This title page, now housed at the Los Angeles County Museum of Art, is a valuable addition to the museum's extensive collection of European art from the 18th century. It is a reminder of the rich cultural heritage that continues to inspire and captivate us today.
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