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Truck, baby parked on front seat, FSA camp, Merrill, Klamath County, Oregon, 1939. Creator: Dorothea Lange
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Truck, baby parked on front seat, FSA camp, Merrill, Klamath County, Oregon, 1939. Creator: Dorothea Lange
Truck, baby parked on front seat. Merrill, Klamath County, Oregon, in FSA (Farm Security Administration) camp
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Media ID 25332049
© Heritage Art/Heritage Images
Camp Lorry Migrating Migration Oregon United States Of America Pick Up Truck Tent Tents Truck Trucks Dorothea Lange Dorothea Lange Taylor Dorothea Margaretta Nutzhorn Lange Dorothea Lee Russell Nitrate Negatives Gmgpc Nutzhorn Dorothea Margaretta Recession Russell Lee Taylor Dorothea Lange
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EDITORS COMMENTS
This powerful photograph captures a poignant moment in American history during the Great Depression. Taken by renowned photographer Dorothea Lange in 1939, the image showcases a truck parked at an FSA camp in Merrill, Klamath County, Oregon. The focal point of the picture is a baby sitting on the front seat of the truck, symbolizing innocence amidst hardship. The composition evokes a sense of migration and economic struggle as families were forced to leave their homes in search of better opportunities. Lange's lens captures not only the physical poverty but also the emotional toll that this era had on individuals and communities across America. The dilapidated tents surrounding the truck serve as a reminder of makeshift living conditions faced by many during this time. Through her photography, Lange aimed to shed light on social issues and advocate for change. Her work with organizations like Farm Security Administration (FSA) and Office of War Information (OWI) helped document these challenging times while raising awareness about poverty and its impact on society. As we reflect upon this historical photograph today, it serves as a reminder of resilience amid adversity. It stands as both an artistic representation and an important documentation of our nation's past struggles. Dorothea Lange's legacy lives on through her ability to capture raw emotions within still images, leaving behind an indelible mark on American heritage art.
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