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Upper Part of Mantelpiece in the Style of Daniel Marot, 18th century, (1910)

Upper Part of Mantelpiece in the Style of Daniel Marot, 18th century, (1910)


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Upper Part of Mantelpiece in the Style of Daniel Marot, 18th century, (1910)

Upper Part of Mantelpiece in the Style of Daniel Marot, 18th century, (1910) Daniel Marot (1661-1752) was a French Protestant, architect, furniture designer and engraver at the forefront of the classicizing Late Baroque Louis XIV style. Room paneling & mantlepiece designed late 17th, early 18th century, of unpainted pine, with inset neo-classical oil on canvas painting depicting five women in a countryside with flowers. From The Connoisseur Vol XXVII. [Otto Limited, London, 1910]

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Media ID 14982504

© The Print Collector

Daniel Daniel Marot Limited Mantlepiece Marot Neo Classical Neo Classicism Neoclassical Otto Otto Limited Panelling Pastoral The Connoisseur


FEATURES IN THESE COLLECTIONS

> Animals > Insects > Beetles > Pine Engraver

> Arts > Art Movements > Baroque

> Arts > Art Movements > Neoclassicism

> Arts > Artists > M > Daniel Marot

> Arts > Artists > M > Marot

> Arts > Landscape paintings > Rural countryside paintings > Pastoral paintings

> Arts > Literature > Magazines

> Europe > France > Paintings

> Europe > United Kingdom > England > London > Art > Paintings


EDITORS COMMENTS
This print showcases the upper part of a mantelpiece in the exquisite style of Daniel Marot, dating back to the 18th century. Daniel Marot, a renowned French Protestant architect and furniture designer, was highly influential during the Late Baroque Louis XIV era. The room paneling and mantlepiece were designed in the late 17th or early 18th century using unpainted pine wood. What truly steals attention is the inset neo-classical oil on canvas painting adorning this magnificent piece. The artwork depicts five graceful women amidst a picturesque countryside filled with vibrant flowers. This pastoral scene adds an enchanting touch to an already remarkable creation. The photograph, taken from The Connoisseur Vol XXVII magazine published by Otto Limited in London in 1910, offers us a close-up view of this masterpiece. Its monochrome aesthetic enhances its timeless beauty while highlighting every intricate detail carved into it. With elements of neoclassicism and baroque artistry combined flawlessly, this mantelpiece represents an epitome of elegance and sophistication from the eighteenth century. It serves as both an object of admiration for art enthusiasts and a testament to Daniel Marot's unparalleled craftsmanship. Preserved through time, this print captures not only the essence of French culture but also pays homage to one man's artistic legacy that continues to inspire generations even today.

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