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Vessantara Jataka, Chapter 10 (Indra's Realm), 1850-1870. Creator: Unknown

Vessantara Jataka, Chapter 10 (Indra's Realm), 1850-1870. Creator: Unknown


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Vessantara Jataka, Chapter 10 (Indra's Realm), 1850-1870. Creator: Unknown

Vessantara Jataka, Chapter 10 (Indra's Realm), 1850-1870. The deity Indra fears that a dishonorable person will ask for Maddi. He therefore takes the form of a brahmin and asks for Maddi for himself. In this scene, Indra is recognizable to the viewer in his adopted form because his skin is green, the colour associated specifically with Indra. The Chinese-style architecture depicted here is a stylistic trend that became increasingly common in Thai paintings of the mid- to late 19th century

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Media ID 36367140

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1850s 1860s Brahman Brahmin Buddhist Buddhists Cloth Generosity Generous Hinduism Indra Jataka Material Pigment Pouring Shakra Siam South East Asia Southeast Asia Southeast Asian Story Thai Thailand Southeast Asia Theravada Vessantara Vessantara Jataka Walters Art Museum Posture Young Man


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EDITORS COMMENTS
This stunning 19th century Vessantara Jataka painting, specifically Chapter 10 (Indra's Realm), depicts a pivotal moment in the ancient Buddhist story. In this scene, the deity Indra, fearing that a dishonorable person would ask for Maddi, the Vessantara's wife, takes the form of a brahmin and asks for her hand in marriage himself. Indra is recognizable to the viewer in his adopted form due to his green skin, a color specifically associated with Indra in Hindu and Buddhist traditions. The Chinese-style architecture in the painting reflects a popular stylistic trend in Thai art of the mid- to late 19th century. The intricately detailed building, with its ornate roofs and gilded decorations, adds an air of grandeur to the scene. Three figures are depicted in the painting - Indra in his brahmin disguise, a young man representing Vessantara, and a young woman representing Maddi. Indra is shown kneeling before them, pouring water from a vessel as a sign of respect. The painting is executed on cloth, with rich pigments used to bring the figures and fabric to life. The textures of the clothing are beautifully rendered, with intricate patterns and folds adding depth and dimension to the image. The outdoor setting, with its lush vegetation and water, adds to the serene and peaceful atmosphere of the scene. This painting is a testament to the rich cultural heritage of Southeast Asia and the enduring influence of Buddhist and Hindu traditions in the region. It is a reminder of the importance of generosity, selflessness, and compassion, themes that continue to resonate with people around the world today.

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