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Vessel Depicting a Masked Ritual Performer, 180 B. C. / A. D. 500. Creator: Unknown
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Vessel Depicting a Masked Ritual Performer, 180 B. C. / A. D. 500. Creator: Unknown
Vessel Depicting a Masked Ritual Performer, 180 B.C./A.D. 500
Heritage Images features heritage image collections
Media ID 24043770
© Heritage Art/Heritage Images
1st Century Ad 1st Century Bc 2nd Century 2nd Century Bc 3rd Century 4th Century Ceramic And Pigment Early Intermediate Mask Masked Nazca Orange Orange Colour Peru Peruvian Pigment Poking Tongue Out Pre Colombian Pre Columbian Precolombian Precolumbian Ritual Rude Rudeness South American Sticking Out Tongue Vessel 1st Century Arts Of The Americas Earthenware
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EDITORS COMMENTS
This print showcases a remarkable vessel depicting a masked ritual performer, created between 180 B. C. and A. D. 500 by an unknown artist. The vessel, originating from Peru in South America, is an exquisite example of early intermediate ceramics. The close-up view highlights the intricate details and vibrant colors of this ancient artifact. The ceramic material is adorned with pigments that beautifully enhance the decorative arts displayed on its surface. The mask worn by the ritual performer features a striking orange color, adding to its visual appeal. The masked figure depicted on the vessel captures our attention with its unique expression - poking out its tongue in what appears to be a gesture of rudeness or defiance. This provocative act adds depth and intrigue to the artwork's narrative. As we delve into South American heritage art, this piece offers us a glimpse into ancient rituals and performances that were significant within their culture at that time. It serves as a testament to the creativity and artistic prowess of civilizations long gone. While we may not know who crafted this extraordinary vessel or exactly how it was used during ceremonies, it remains an important artifact representing pre-Columbian traditions in Peru. Its presence reminds us of the rich history embedded within these lands and invites us to appreciate the beauty found in both tangible objects and intangible cultural practices passed down through generations.
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