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View of a destroyed bridge, 1870. Creator: Andre-Adolphe-Eugene Disderi
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View of a destroyed bridge, 1870. Creator: Andre-Adolphe-Eugene Disderi
View of a destroyed bridge, 1870
Heritage Images features heritage image collections
Media ID 36223387
© Heritage Art/Heritage Images
Album Albumin Paper Print André Adolphe Eugène Disdéri Carnavalet Museum Damaged Destroyed Disderi Andre Adolphe Eugene Franco Prussian War 1870 1871 Panorama Paris Ile De France France Siege Of Paris Letterbox Format Musee Carnavalet Paris Museums
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EDITORS COMMENTS
Andre-Adolphe-Eugene Disderi's View of a Destroyed Bridge, captured in 1870, presents a poignant image of the aftermath of the Franco-Prussian War (1870-1871). The black and white albumen print on albumin paper depicts the damaged structure of a bridge in France, likely located in Paris or its surrounding areas. The bridge, once a vital connection between two parts of the country, now lies in ruins, a testament to the devastating consequences of war. The image, part of the rich collection at Musee Carnavalet in Paris, is a panoramic view, captured in a letterbox format that emphasizes the vastness of the destruction. The 19th century photograph, a significant piece of graphic arts history, transports us back in time, inviting us to reflect on the historic events that shaped France and its people. The Siege of Paris, which began in September 1870, left a profound impact on the country. The war resulted in significant damage to numerous structures, including bridges, as the Prussian army sought to weaken the French resistance. Disderi's photograph captures the essence of this destruction, offering a glimpse into the past and a reminder of the importance of preserving our heritage. As we admire this historic image, we are reminded of the enduring power of photography to document history and evoke emotion. The View of a Destroyed Bridge is not just a photograph; it is a visual narrative that speaks to the resilience of the human spirit and the importance of rebuilding after adversity.
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