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Warrior Accompanied by Britannia, Minerva, and Fame (recto); D... c. 1733 (recto); c. 1740 (verso). Creators: John Michael Rysbrack, Richard Wilson

Warrior Accompanied by Britannia, Minerva, and Fame (recto); D... c. 1733 (recto); c. 1740 (verso). Creators: John Michael Rysbrack, Richard Wilson


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Warrior Accompanied by Britannia, Minerva, and Fame (recto); D... c. 1733 (recto); c. 1740 (verso). Creators: John Michael Rysbrack, Richard Wilson

Warrior Accompanied by Britannia, Minerva, and Fame (recto); Design for the Monument to Nicholas Rowe (verso), c. 1733 (recto); c. 1740 (verso)

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Media ID 36207274

© Heritage Art/Heritage Images

Allegorical Britannia Classical Classicism Fama Fame Jean Michel Rysbrack Johannes Michel Rysbrack John Michael Rysbrack Lying Lying Down Michael Rysbrack Minerva Nicholas Rowe Reclining Recumbent Richard Wilson Rowe Nicholas Rysbrack Jean Michel Rysbrack Johannes Michel Rysbrack John Michael Rysbrack Michael Studies Wash Wilson Richard Allegorical Figure Laid Paper Pen And Ink Drawing


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> Animals > Mammals > Cricetidae > Brush Mouse

> Architecture > Drawings

> Architecture > Religious

> Architecture > Styles > Baroque Architecture

> Architecture > Styles > Classical Architecture

> Arts > Art Movements > Baroque

> Arts > Artists > B > John Brown

> Arts > Artists > M > Jean Michel

> Arts > Artists > W > Richard Wilson

> Arts > Artists > W > Wilson Wilson


EDITORS COMMENTS
This artwork, titled "Warrior Accompanied by Britannia, Minerva, and Fame" (recto), is a masterpiece created by the Flemish artist John Michael Rysbrack in the early 18th century. The recto side of the drawing showcases a powerful warrior lying down, surrounded by three goddesses: Britannia, Minerva, and Fame. Britannia, the personification of Britain, is depicted holding a trident and shield, while Minerva, the goddess of wisdom and war, is shown holding a spear and shield. Fame, represented as a winged figure, is blowing a trumpet to announce the warrior's great deeds. The verso side of the drawing, created by the Welsh artist Richard Wilson, is a design for the monument to Nicholas Rowe, an English playwright. The design features an angel holding a laurel wreath, symbolizing the recognition of Rowe's literary achievements. Both sides of the drawing are executed in different mediums. The recto side is a pen and brown ink drawing with brush and brown wash over red chalk and graphite, while the verso side is a pen and brown ink over graphite drawing on cream laid paper. The artwork is a stunning example of the Baroque era's artistic school, showcasing the use of allegorical figures, chalk, and monochrome color. This drawing is an important addition to the collections of the Art Institute of Chicago, where it is exhibited for the public to appreciate the artistic and historical significance of this magnificent work. The drawing's intricate details and rich symbolism transport us back to the 18th century, providing a glimpse into the culture and heritage of the time.

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