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Weather Vane, c. 1936. Creator: Rollington Campbell

Weather Vane, c. 1936. Creator: Rollington Campbell


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Weather Vane, c. 1936. Creator: Rollington Campbell

Weather Vane, c. 1936

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Media ID 36250109

© Heritage Art/Heritage Images

Campbell Rollington Details Finial Graphite On Paperboard Jumping Measurement Measurements Racehorse Rollington Campbell Scale Scale Drawing Weather Vane Weathervane Description Functional Item


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Weather Vane

EDITORS COMMENTS
is a captivating graphite drawing on paperboard by the American artist Rollington Campbell, created in the 1930s. This intricately detailed work of art showcases two energetic racehorses leaping mid-race, their powerful muscles taut and their eyes filled with determination. The horses are depicted in a dynamic and almost surrealistic manner, with their hooves seemingly suspended in mid-air and their manes and tails streaming behind them. This stunning drawing is a fine example of the decorative arts of the 1930s and 1940s in the United States. The artist's masterful use of graphite allows for a remarkable level of detail, making each individual hair on the horses' coats and each muscle in their bodies visible. The horses are perched atop a weather vane, a functional object used to indicate wind direction, adding an interesting juxtaposition between the artistic and the practical. The horses' forms are reminiscent of the sleek and powerful racehorses that were a popular subject in American art during this time. The drawing is also a testament to Campbell's skill as a draftsman and his ability to capture the essence of movement and energy in his work. Measuring approximately 15.2 x 12.7 inches (38.6 x 32.3 cm), "Weather Vane" is an important addition to any collection of American art from the 20th century. This piece is currently housed in the National Gallery of Art in Washington D.C., where it can be admired by visitors from around the world. The Index of American Design, a comprehensive catalog of American decorative arts, includes a record of this work, further cementing its place in the annals of American art history.

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