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Whistle in the Form of a Musician, 180 B. C. / A. D. 500. Creator: Unknown
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Whistle in the Form of a Musician, 180 B. C. / A. D. 500. Creator: Unknown
Whistle in the Form of a Musician, 180 B.C./A.D. 500
Heritage Images features heritage image collections
Media ID 24043376
© Heritage Art/Heritage Images
1st Century Ad 1st Century Bc 2nd Century 2nd Century Bc 3rd Century 4th Century Ceramic And Pigment Cream Cream Colour Early Intermediate Human Likeness Male Likeness Nazca Peru Peruvian Pigment Pre Colombian Pre Columbian Precolombian Precolumbian South American Whistle 1st Century Arts Of The Americas Earthenware
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> Colombia
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> Peru
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EDITORS COMMENTS
This print showcases a remarkable artifact known as the "Whistle in the Form of a Musician" created between 180 B. C. and A. D. 500 by an unknown artist. Crafted from earthenware, this ceramic whistle is adorned with intricate decorative elements that reflect the rich artistic heritage of ancient South America. The close-up view allows us to appreciate the exquisite craftsmanship and attention to detail put into this piece. The cream-colored surface, beautifully decorated with pigments, adds depth and character to the sculpture. The musician's likeness is skillfully captured, showcasing a male figure playing a musical instrument. As we delve into its historical significance, we are transported back in time to pre-Columbian Peru when music played an integral role in society. This whistle not only served as a functional instrument but also represented cultural expression and creativity. The Nazca civilization left behind numerous artifacts like this one that offer valuable insights into their way of life. Through these objects, we can connect with our ancestors and gain a deeper understanding of their beliefs and traditions. This print serves as both an educational tool for art enthusiasts and a testament to the ingenuity of ancient civilizations across continents. It reminds us of how art has always been intertwined with human existence since time immemorial – transcending borders, cultures, and centuries.
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