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The witch, First Half of 16th cen. Creator: Dossi, Dosso (ca. 1486-1542)

The witch, First Half of 16th cen. Creator: Dossi, Dosso (ca. 1486-1542)


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The witch, First Half of 16th cen. Creator: Dossi, Dosso (ca. 1486-1542)

The witch, First Half of 16th cen. Found in the collection of the Palazzo del Te, Mantua

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Media ID 36240799

© Fine Art Images/Heritage Images

1486 1542 Devil Dossi Dosso Ca Exorcism Folk Medicine Good And Evil Magician Magy Mantua Mythology Allegory And Literature Palazzo Del Te Satan School Of Ferrara Shaman Shamanism Sinner Spiritual Spiritual World Witch Witchcraft Witches Warlock


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Renaissance Art

> Arts > Artists > D > Dosso Dossi

> Arts > Artists > I > Italian School Italian School

> Arts > Literature

> Europe > Italy > Emilia-Romagna > Ferrara

> Europe > Italy > Heritage Sites > Ferrara, City of the Renaissance

> Europe > Italy > Heritage Sites > Mantua and Sabbioneta

> Europe > Italy > Lombardy > Mantua

> Europe > Italy > Paintings

> Historic > Renaissance art


EDITORS COMMENTS
This artwork, titled "The Witch," is a masterpiece created by the renowned Italian painter Dosso Dossi (ca. 1486-1542) during the first half of the 16th century. The painting is currently housed in the esteemed collection of the Palazzo del Te in Mantua, Italy. The intriguing composition of this oil on canvas painting presents a complex allegory of good and evil, sin, and the spiritual world. The central figure is a woman, dressed in the traditional attire of a witch, with a broomstick in one hand and a black cat at her feet. However, her countenance is not one of malice or fear, but rather, she appears pensive and introspective. Surrounding the witch are a myriad of figures, including a shaman or magician, a warlock, and various mythological creatures. The devil, depicted as a horned figure with a tail, hovers above the scene, seemingly in control, while Satan, in the form of a winged figure, emerges from the depths below. The painting's rich symbolism reflects the cultural fascination with the supernatural during the Renaissance period. The depiction of the witch as a contemplative figure challenges the common perception of witches as evil beings, suggesting instead a more nuanced understanding of the role of magic and spiritual practices in society. The allegorical elements in "The Witch" also reflect the literary and mythological influences of the time, with references to exorcism, shamanism, and folk medicine. The painting's intricate details and vivid colors invite the viewer to explore the complexities of the spiritual world and the human condition.

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