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Woodland scene with marshy banks, two men and a dog in profile at left, two-long-necke
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Woodland scene with marshy banks, two men and a dog in profile at left, two-long-necke
Woodland scene with marshy banks, two men and a dog in profile at left, two-long-necked birds at right, from the series Six landscapes in Tyrol after Roelandt Savery, ca. 1600
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Media ID 20574545
© Heritage Art/Heritage Images
Aegidius Aegidius Sadeler Ii Branches Damage Egidius Sadeler Gilles Sadeler Gillis Sadeler Ii Marcus Marsh Peop Roelandt Savery Roelant Saverij Roelant Savery Sadeler Sadeler Aegidius Ii Savery Savery Roelandt Savery Roelant Storm Damage Tyrol Marcus Sadeler Roelandt
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This print titled "Woodland scene with marshy banks, two men and a dog in profile at left, two-long-necked birds at right" takes us back to the 17th century. Created by Aegidius Sadeler II, a Flemish engraver from Flanders, this piece is part of the series "Six landscapes in Tyrol after Roelandt Savery". The image transports us to a serene natural setting where we witness the harmony between man and nature. On the left side of the frame, two men are depicted in profile accompanied by their loyal canine companion. They stand on marshy banks surrounded by lush vegetation and towering trees that create an enchanting woodland atmosphere. At the right side of the composition, our attention is drawn to two long-necked birds gracefully perched on branches. Their elegant presence adds an ethereal touch to this picturesque landscape. The artist's meticulous attention to detail is evident throughout this engraving. From every stroke of his burin emerges a sense of tranquility and reverence for nature's beauty. As we gaze upon this remarkable artwork from centuries past, we can't help but appreciate how it captures both the grandeur and subtleties of Tyrol's landscapes. It serves as a reminder that even amidst storm damage or geographical features like rivers and riverbanks, there is always room for serenity and awe-inspiring moments in nature's embrace. Displayed within The Metropolitan Museum of Art's collection, this print stands as
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