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Yorkshire Hieroglyphics, Plate 2, March 11, 1809. March 11, 1809

Yorkshire Hieroglyphics, Plate 2, March 11, 1809. March 11, 1809


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Yorkshire Hieroglyphics, Plate 2, March 11, 1809. March 11, 1809

Yorkshire Hieroglyphics, Plate 2, March 11, 1809

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Media ID 19984532

© Heritage Art/Heritage Images

Affair Clarke Clarke Mary Ann Clarke Mary Anne Code Duke Duke Of York Duke Of York And Albany Frederick Frederick Augustus Frederick Duke Of York And Albany Hieroglyphic Hieroglyphics Letter Love Letter Mary Ann Mary Ann Clarke Mary Anne Mary Anne Clarke Mary Anne Thompson Mistress Prince Frederick Rowlandson Rowlandson Thomas Scandal Secret T Tegg And Son T Tegg Son Tegg Tegg And Son Tegg Son T Tegg Thomas Thomas Rowlandson Thomas Tegg Thompson Thompson Mary Anne Hand Tinted


FEATURES IN THESE COLLECTIONS

> Arts > Artists > H > Thomas Hand

> Arts > Artists > R > Thomas Rowlandson

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > England > Yorkshire > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
The print titled "Yorkshire Hieroglyphics, Plate 2, March 11,1809" captures a fascinating moment in British history. Created by the renowned artist Thomas Rowlandson in the 19th century, this hand-colored etching tells a tale of scandal and secrecy. At its center is Mary Anne Clarke, an influential woman who found herself entangled in an affair with Prince Frederick Duke of York and Albany, also known as Frederick Augustus. The image depicts her holding a love letter written by the prince himself, showcasing the power she held over him. Rowlandson's intricate depiction of hieroglyphics adds another layer to this story. These symbols represent coded messages exchanged between Clarke and the prince—a secret language that allowed them to communicate discreetly without arousing suspicion from prying eyes. This scandalous affair rocked British society at the time and became a topic of great interest among people. The print serves as both a historical document and a work of art that captures the intrigue surrounding forbidden love and royal indiscretions. Now housed at The Metropolitan Museum of Art (The Met), this piece offers us a glimpse into an era where passion clashed with duty within Britain's upper echelons. It stands as a testament to Rowlandson's skillful storytelling through his artistry while shedding light on one of history's most captivating scandals involving powerful figures like Mary Anne Clarke and Prince Frederick Duke of York and Albany.

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