1797-1858 1857. 25. 5 37. 3 Ando Hiroshige Mii
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1797-1858 1857. 25. 5 37. 3 Ando Hiroshige Mii
Mii no banshō, Temple bell at Mii. Andō, Hiroshige, 1797-1858, artist, 1857. 1 print : woodcut, color ; 37.3 x 25.5 cm. Print shows a bird's-eye view of sea and mountains
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12669301
© Quint Lox Limited
1797 1858 1857 Ando Bell Birds Eye Hiroshige Mountains Shows Temple
EDITORS COMMENTS
Captured in exquisite detail, this 1857 woodcut print by Andō Hiroshige (1797-1858) is a breathtaking representation of the Temple Bell at Mii. The artist's masterful use of color and composition transports us to a serene landscape, where the majestic mountains meet the vast expanse of the sea.
From a bird's-eye view, we gaze upon the tranquil scene, with wispy clouds drifting lazily across the sky. The temple bell stands tall and proud, its intricate design and ornate details expertly rendered in bold lines and vibrant hues. Meanwhile, the surrounding mountains rise up from the earth like giants, their rugged peaks shrouded in mist.
Hiroshige's artistic genius shines through in every aspect of this print. His use of perspective creates a sense of depth and dimensionality, drawing our eyes into the heart of this idyllic scene. The colors are rich and muted, evoking a sense of calmness and contemplation.
This stunning work is not only a testament to Hiroshige's skill as an artist but also his ability to capture the essence of Japan during its Edo period (1603-1868). It serves as a poignant reminder of a bygone era when art was deeply rooted in tradition yet infused with innovative techniques and styles.
In this print, we find ourselves lost in time, surrounded by nature's beauty and serenity.
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