Chiven half man half woman Shiva depicted half

Wall Art and Photo Gifts from Liszt Collection

Chiven half man half woman Shiva depicted half

Chiven half man and half woman, Shiva, depicted half as a man and half as a woman, Signed: P. Sonnerat pinx, Poisson sc, Pl. 53, before p. 175 (v. 1), Sonnerat, Pierre M. (pinx.); Poisson, Jean-Baptiste Marie (sculp.), 1782, Sonnerat, Pierre: Voyages aux Indes orientales et a la Chine. fait par ordre du Roi depuis 1774 jusqu en 1781: dans lequel on traite des moeurs, de la religion, des sciences & des arts des Indiens, des Chinois, des Pegouins & des Madegasses (...). Paris: chez l auteur: chez Froule: chez Nyon... 1782

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 19591874

© Artokoloro

1782 Chez Froulé Chez Lauteur Chez Nyon Dans Lequel De La Religion Des Chinois Des Pégouins Des Madégasses Des Sciences Des Arts Des Indiens Half Jean Baptiste Marie La Chine P Sonnerat Pinx Pierre Pierre M Poisson Poisson Sc Shiva Signed Sonnerat Traite Des Moeurs Voyages Aux Indes Orientales Half Woman

EDITORS COMMENTS
This print from the Liszt Collection showcases a mesmerizing depiction of Shiva, known as Chiven, who is portrayed as half man and half woman. The artwork beautifully captures the duality and balance within this Hindu deity, with one side representing masculinity and the other femininity. The print is signed by P. Sonnerat as the painter and Poisson as the sculptor, adding to its artistic value. It can be found in Plate 53 of Pierre M. Sonnerat's renowned publication "Voyages aux Indes orientales et a la Chine" which was commissioned by King Louis XVI between 1774 and 1781. Sonnerat's work delves into various aspects of Indian culture, including customs, religion, sciences, and arts. This particular image sheds light on the complex nature of gender identity within Hindu mythology. Displayed before page 175 in Volume 1 of Sonnerat's book, this print offers viewers an opportunity to explore different cultural perspectives through art. Its presence in such a significant historical publication underscores its importance in understanding both Indian traditions and artistic representations during that era. This remarkable piece invites contemplation on themes of gender fluidity, spirituality, and divine balance. As we admire this striking portrayal of Shiva as Chiven - half man and half woman - we are reminded that true harmony lies not only in accepting our own dualities but also embracing them with grace.

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