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Descent Cross Passion Christ series title Passionis et resurrectionis

Descent Cross Passion Christ series title Passionis et resurrectionis


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Liszt Collection

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Descent Cross Passion Christ series title Passionis et resurrectionis

Descent from the Cross Passion of Christ (series title) Passionis et resurrectionis (series title), The body of Christ is taken off the cross by Nicodemus and Joseph, both on a ladder, helped by two anonymous figures. Johannes. Mary and Mary Magdalene sit on the floor by the body of Christ. In the margin a three-line caption in Latin. Print from a series of fifteen with the passion of Christ. Descent from the cross: Christ is tasks down from the cross, usually by Nicodemus and Joseph or Arimathaea who are standing on the ladders (both arms or Christ detached), Pieter de Jode (I), Italy, 1590 - 1632, paper, etching, h 181 mm × w 126 mm

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 19548738

© Artokoloro

1590 1632 Arms Body Cross Descent Fifteen Floor Helped Johannes Joseph Ladder Ladders Latin Margin Mary Nicodemus Passion Pieter De Jode Series Title Three Line Caption Arimathaea


EDITORS COMMENTS
This print from the "Descent Cross Passion Christ" series titled "Passionis et resurrectionis" transports us to a poignant moment in biblical history. The image depicts the body of Christ being tenderly taken off the cross by Nicodemus and Joseph, who stand on ladders, assisted by two anonymous figures. Johannes, Mary, and Mary Magdalene sit on the floor beside Jesus' lifeless form, their grief palpable. The intricately detailed print is part of a larger collection of fifteen prints that narrate various aspects of Christ's passion. In this particular scene, known as the Descent from the Cross, we witness Nicodemus and Joseph carefully lowering Jesus down from his crucifixion site. It is common for these two figures to be depicted performing this sacred task. Printed on paper using an etching technique, this artwork measures 181 mm in height and 126 mm in width. A three-line caption written in Latin adorns the margin surrounding the image. Created by Pieter de Jode (I) between 1590 and 1632 in Italy, this print captures both religious devotion and artistic mastery. Its inclusion within the Liszt Collection ensures its preservation for generations to come.

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