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Dutch chief Javanese servant Holland mountain

Dutch chief Javanese servant Holland mountain


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Liszt Collection

Wall Art and Photo Gifts from Liszt Collection

Dutch chief Javanese servant Holland mountain

Dutch chief with Javanese servant Holland mountain and water (title on object), Dutchman with dog, standing next to servant with umbrella, in western landscape, mountain and landscape as stated on the print is a literal translation of the Japanese word for landscape : sansui. (Nagasaki-e), anonymous (mentioned on object), Japan, 1800 - 1850, paper, colour woodcut, h 252 mm × w 198 mm

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 19543348

© Artokoloro

1800 1850 Colour Woodcut Dutchman Mountain Servant Standing Next Title Umbrella Water Anonymous Mentioned Stated


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EDITORS COMMENTS
This print from the Liszt Collection transports us back to a fascinating era of cultural exchange and exploration. Titled "Dutch chief Javanese servant Holland mountain" this anonymous Japanese woodcut captures a unique encounter between a Dutchman and his loyal Javanese servant in the stunning backdrop of a western landscape. The image portrays the Dutch chief standing proudly next to his faithful servant, who holds an umbrella over him. The presence of their dog adds an element of companionship and loyalty to the scene. The towering Holland mountain dominates the background, reminding us of the vastness and beauty of nature. Interestingly, the title on the object informs us that "sansui" is a literal translation for landscape in Japanese. This detail highlights how different cultures interpret and express natural scenery through language. Created between 1800-1850 in Nagasaki, Japan, this color woodcut print showcases exquisite craftsmanship on paper. Its small dimensions (252mm x 198mm) invite closer inspection, allowing viewers to appreciate each intricate detail. As we admire this artwork from afar or up close, it serves as a reminder of historical connections between nations and individuals during times when borders were crossed for trade or diplomatic purposes. It invites contemplation about power dynamics within colonial contexts while also celebrating shared humanity across diverse backgrounds.

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