Envy generates war act series title female personification

Wall Art and Photo Gifts from Liszt Collection

Envy generates war act series title female personification

Envy generates war. act (series title), The female personification of Envy (Invidia), that chews on a heart. In the background a landscape where a storm rages and a boat sinks. The performance has a frame with an inscription in Latin that is encased in a richly decorated cartouche. Fourth print from a series of eight with the cycle of human action. Envy, Invidia (Ripa), personification of one of the Seven Deadly Sins, Crispijn van de Passe (I), Keulen, 1601, paper, engraving, h 96 mm × w 126 mm

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 19542930

© Artokoloro

1601 Background Crispijn Van De Passe Cycle Encased Envy Female Personification Frame Heart Inscription Invidia Keulen Latin Performance Personification Ripa Series Title Seven Deadly Sins Chews

EDITORS COMMENTS
This print from the Liszt Collection showcases a powerful and thought-provoking artwork titled "Envy generates war. act (series title)". The focal point of the image is the female personification of Envy, known as Invidia, depicted in all her malevolence. She is portrayed chewing on a heart, symbolizing the destructive nature of envy. In the background, a tumultuous landscape unfolds with a raging storm and a sinking boat, representing the chaos and devastation that envy can unleash upon society. The artist skillfully captures this theme through intricate details and masterful engraving techniques. The performance is framed within an ornate cartouche adorned with elaborate decorations. Within this frame lies an inscription in Latin that adds depth to the narrative presented by the artwork. This particular print is part of a series consisting of eight prints that explore various aspects of human action. It delves into one of the Seven Deadly Sins - Envy - shedding light on its corrosive influence on individuals and communities alike. Created by Crispijn van de Passe (I) in Keulen in 1601, this paper engraving measures 96 mm in height and 126 mm in width. Its inclusion in the prestigious Liszt Collection speaks to its artistic merit and cultural significance

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