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Fons ad aream Portae Populi = Fontan auf dem
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Fons ad aream Portae Populi = Fontan auf dem
Fons ad aream Portae Populi = Fontan auf dem Platz bey der Pforten Populi, Der romischen Fontanen wahre Abbildung: wie solche, so wohl auf offentlichen Platzen und Palatien, als auch zu Frescada Tiuoli und denen Lust-Garten, mit ihren Prospecten, der Zeit allda zu ersehen sind, Falda, Giovanni Battista, ca. 1640-1678, Franck, Johann, fl. 1659-1690, Etching, 1685, Etched by Johann Franck
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18506130
© Liszt Collection
1640 1678 1685 Etched Falda Franck Giovanni Battista Johann Platz Abbildung Populi Sind
EDITORS COMMENTS
This print titled "Fons ad aream Portae Populi = Fontan auf dem Platz bey der Pforten Populi, Der romischen Fontanen wahre Abbildung: wie solche, so wohl auf offentlichen Platzen und Palatien, als auch zu Frescada Tiuoli und denen Lust-Garten, mit ihren Prospecten, der Zeit allda zu ersehen sind" takes us on a visual journey through time. Etched by Johann Franck in 1685, this masterpiece showcases the intricate details of Roman fountains and their surroundings. The image transports us to bustling public squares and grand palaces where these magnificent fountains once stood. The etching captures not only the architectural beauty but also the vibrant atmosphere that surrounded them. From the lively crowds gathering around these landmarks to the lush gardens and panoramic views they offered, every element is meticulously depicted. As we delve deeper into this artwork's narrative, we discover how it goes beyond mere documentation. It becomes a window into history itself – an invitation to explore Rome's past through its iconic fontane. Giovanni Battista Falda's vision comes alive as we witness these fountains in all their glory across various locations such as Frescada Tiuoli and enchanting pleasure gardens. While admiring this print from Liszt Collection, let our imagination wander back in time to experience the splendor of ancient Rome firsthand. Let us appreciate not only the technical skill involved in creating such a detailed
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