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Roman Ruins Villa Pamfili 1774 Hubert Robert

Roman Ruins Villa Pamfili 1774 Hubert Robert


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Liszt Collection

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Roman Ruins Villa Pamfili 1774 Hubert Robert

Roman Ruins, Villa Pamfili, 1774. Hubert Robert (French, 1733-1808). Pen and black ink and watercolor with black chalk underdrawing and heightened with white gouache on cream laid paper;

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18477157

© Liszt Collection

1733 1808 1774 Black Chalk Underdrawing Black Ink Cream Laid Paper Heightened Hubert Robert Roman Ruins White Gouache


FEATURES IN THESE COLLECTIONS

> Arts > Artists > H > Hubert Hubert

> Arts > Artists > R > Hubert Robert

> Arts > Artists > R > Hubert Roberts

> Arts > Artists > R > Roman Roman

> Arts > Artists > W > Robert White

> Arts > Watercolor paintings


EDITORS COMMENTS
This print showcases the mesmerizing beauty of "Roman Ruins Villa Pamfili" as captured by the talented artist Hubert Robert in 1774. The artwork, created with pen and black ink, watercolor, black chalk underdrawing, and heightened with white gouache on cream laid paper, transports viewers to a time long gone. The image depicts the remnants of an ancient Roman villa nestled amidst lush greenery. The delicate strokes and intricate details bring life to the crumbling ruins, evoking a sense of awe and wonder. The play of light and shadow adds depth to the composition, enhancing its dramatic appeal. Hubert Robert's mastery is evident in his ability to capture both architectural precision and natural elements harmoniously. This piece serves as a testament to his skillful technique and artistic vision. As we gaze upon this magnificent artwork from the Liszt Collection, we are transported back in time to witness the grandeur that once was. It reminds us of our shared human history while also serving as a reminder of how nature reclaims what man has left behind. This print is not just an exquisite work of art but also a window into another era—a visual journey through Roman ruins that invites contemplation about our own impermanence.

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