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Sheet 5 Anteiqvae vrbis imago accvratissime ex

Sheet 5 Anteiqvae vrbis imago accvratissime ex


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Liszt Collection

Wall Art and Photo Gifts from Liszt Collection

Sheet 5 Anteiqvae vrbis imago accvratissime ex

Sheet 5, Anteiqvae vrbis imago accvratissime ex vetvsteis monvmenteis formata, Bos, Jacobus, fl. 1549-1577, Ligorio, Pirro, ca. 1510-1583, Engraving, 15--?, The 12 constituent sheets have been joined in pairs with a vertical overlap to form 6 sheets, each measuring 52 x 76 cm. and hinged in at the centerfold. If arranged in 3 horizontal rows of 2 each, the 6 double sheets would form an impression ca. 130 x 144 cm.: aerial view of Rome, 16th century. Relief shown pictorially; oriented with east at top

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18508063

© Liszt Collection

Aerial View Arranged East Form Hinged Jacobus Joined Ligorio Oriented Pairs Pirro Rows Sheets Imago


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> Aerial Photography > Related Images

> Europe > Italy > Lazio > Rome


EDITORS COMMENTS
This print from the Liszt Collection showcases "Sheet 5 Anteiqvae vrbis imago accvratissime ex vetvsteis monvmenteis formata" by Bos, Jacobus and Ligorio, Pirro. Created in the 16th century, this engraving offers a stunning aerial view of Rome during that time period. The meticulous attention to detail is evident in every aspect of this artwork. Relief is shown pictorially, with east positioned at the top for orientation purposes. The twelve constituent sheets have been joined together in pairs using a vertical overlap technique to create six larger sheets measuring 52 x 76 cm each. These double sheets are hinged at their centerfold. If arranged horizontally in three rows of two each, these six double sheets would form an impressive impression approximately measuring 130 x 144 cm. This grand scale allows viewers to immerse themselves fully into the intricacies and beauty of ancient Rome as depicted by Bos and Ligorio. It's important to note that this caption does not mention any commercial use or affiliation with a specific company. Instead, it focuses solely on describing the historical significance and artistic qualities of this remarkable print from the Liszt Collection.

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