Studies Figures Architecture recto Figure Studies

Wall Art and Photo Gifts from Liszt Collection

Studies Figures Architecture recto Figure Studies

Studies of Figures and Architecture (recto); Figure Studies (verso); Perino del Vaga (Piero Buonaccorsi) (Italian, 1501 - 1547); Italy; about 1542-1545; Pen and brown ink, brush with brown and gray wash, traces of black chalk; partly incised for transfer (recto); pen and brown ink and brown wash (verso); 32.7 × 22.2 cm (12 7, 8 × 8 3, 4 in.)

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18492836

© Liszt Collection

12 7 1501 1547 8 × 8 3 Brown Brown Wash Figure Studies Figures Gray Wash Recto Studies Traces Transfer Vaga Verso Black Chalk Perino Del Piero Buonaccorsi

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EDITORS COMMENTS
This print from the Liszt Collection showcases a remarkable artwork titled "Studies Figures Architecture recto Figure Studies (Studies of Figures and Architecture (recto); Figure Studies (verso)" by Perino del Vaga, also known as Piero Buonaccorsi. Created in Italy between 1542 and 1545, this piece is executed using pen and brown ink, brush with brown and gray wash, traces of black chalk. The composition features intricate figure studies intertwined with architectural elements. Delicate lines and expert shading bring life to each character depicted on the recto side of the artwork. The artist's attention to detail is evident in every stroke, capturing the essence of human form with precision. On the verso side, we find additional figure studies rendered solely in pen and brown ink. These sketches provide insight into Perino del Vaga's creative process, showcasing his ability to capture movement and expression through minimalistic techniques. Measuring at 32.7 x 22.2 cm (12 7/8 x 8 3/4 inches), this print highlights both sides of the original artwork while preserving its historical value. The partly incised transfer technique used on the recto adds depth to certain areas, enhancing its visual impact. With its rich palette of browns and grays combined with delicate linework, this masterpiece exemplifies Perino del Vaga's mastery as an Italian artist during the Renaissance period. It serves as a testament to his contribution to art history through

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