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Visitation Master Guillaume Lambert French active
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Visitation Master Guillaume Lambert French active
The Visitation; Master of Guillaume Lambert (French, active about 1475 - 1485); Lyon, France; 1478 (based on date included in Easter calculation); Tempera colors, gold paint, and iron gall ink on parchment bound between pasteboard covered with brown jansenist morocco; Leaf: 14.6 x 9.8 cm (5 3, 4 x 3 7, 8 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18494079
© Liszt Collection
146 X 1475 1478 1485 Based Brown Jansenist Date Included Easter Calculation Gold Paint Guillaume Lambert Iron Gall Lyon Master Morocco Parchment Bound Pasteboard Covered Tempera Colors Visitation
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This print showcases the exquisite artwork titled "Visitation" by Master Guillaume Lambert, a talented French artist active between 1475 and 1485. The piece is believed to have originated in Lyon, France in 1478, as indicated by the Easter calculation included within its composition. Using tempera colors, gold paint, and iron gall ink on parchment bound between pasteboard covered with brown jansenist morocco, Lambert skillfully brings this scene to life. The attention to detail is remarkable; every stroke of his brush reveals the depth of emotion and spirituality captured within. The Visitation depicts a poignant moment from biblical history when Mary visits her cousin Elizabeth during their pregnancies. This encounter symbolizes love, support, and divine intervention. Through Lambert's masterful technique and use of vibrant colors, he transports viewers back in time to witness this sacred meeting firsthand. Measuring at approximately 14.6 x 9.8 cm (5 3/4 x 3 7/8 inches), this small yet powerful leaf holds immense artistic value. Its intricate details invite contemplation while evoking a sense of awe for both art enthusiasts and religious devotees alike. As part of the Liszt Collection's vast repertoire of historical treasures, this print allows admirers worldwide to appreciate the beauty and significance of Master Guillaume Lambert's work without commercial intent or mention thereof.
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