AELST, Pieter van (before1509-1555). Fortune
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AELST, Pieter van (before1509-1555). Fortune
" AELST, Pieter van (before1509-1555). Fortune. 16th c. SPAIN. Segovia. Royal Palace of La Granja de San Ildefonso (St. Ildefonses Farm). Tapestry number 1 belonging to series " Honors. Flemish art. Tapestry."
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Media ID 8260763
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10681766
Aelst Belonging Flemish Fortune Granja Honors Ildefonso Pieter Segovia Tapestry
EDITORS COMMENTS
This image showcases Tapestry Number 1 from the series "Honors" in the Royal Palace of La Granja de San Ildefonso, Segovia, Spain. The tapestry, created in the 16th century, is an exquisite example of Flemish art. Pieter van Aelst, believed to have been born before 1509, is the artist credited with its creation. The tapestry, titled "Fortune," is a horizontal composition that showcases the ever-changing nature of the goddess Fortuna. She is depicted as a regal woman, adorned with a crown and holding a rudder in one hand and a wheel in the other. The rudder symbolizes the ability to steer one's course in life, while the wheel represents the cyclical nature of fortune and its ability to turn in favor or against an individual. The rich colors and intricate details of the tapestry are a testament to the skill and artistry of Pieter van Aelst and his team of weavers. The tapestry was likely commissioned by the Spanish royalty as a symbol of their power and wealth. The Royal Palace of La Granja de San Ildefonso, located in Segovia, Spain, is renowned for its impressive collection of tapestries, many of which are masterpieces of Flemish art. This tapestry, "Fortune," is a stunning addition to the palace's collection and a reminder of the artistic and cultural exchange that took place between Spain and Flanders during the 16th century. Its intricate design and beautiful colors continue to captivate viewers, making it a must-see for anyone interested in art, history, or the intricacies of tapestry making.
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