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Benoit-Constant Coquelin - French Actor

Benoit-Constant Coquelin - French Actor


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Benoit-Constant Coquelin - French Actor

Benoit-Constant Coquelin ) - French actor. Coquelin is seen here in L Aiglon, a play in six acts by Edmond Rostand based on the life of Napoleon II. Date: circa 1905

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14250966

© Mary Evans / Grenville Collins Postcard Collection

Acting Aine Attention Coquelin Edmond Elder Eldest Gilded Gilt Inset Mar17 Napoleon Napoleonic Role Rostand


EDITORS COMMENTS
Benoit-Constant Coquelin: A Regal Portrait of a French Actor in the Role of Napoleon II in L'Aiglon Benoit-Constant Coquelin (1841-1909), a renowned French actor, is captured in this striking portrait as he embodies the complex character of Napoleon II, also known as the King of Rome, in Edmond Rostand's six-act play, L'Aiglon. The photograph, taken circa 1905, showcases Coquelin's theatrical prowess and his ability to bring historical figures to life on the stage. Coquelin stands tall and resolute, donning a golden military uniform adorned with gilt details, reflecting the grandeur and opulence of the Napoleonic era. His piercing gaze and attentive posture convey the inner turmoil and determination of the young king, who was raised in isolation and later betrayed by those around him. The inset of this portrait, framed by an elegant golden border, highlights Coquelin's face, emphasizing the depth of emotion and intensity he brings to the role. The play, L'Aiglon, is a poignant exploration of the life of Napoleon II, and Coquelin's performance as the elder, eldest son of the legendary emperor, Napoleon Bonaparte, left a lasting impression on audiences during its premiere in 1890. This portrait is a testament to Coquelin's exceptional talent as an actor and his commitment to bringing historical figures to life on the stage. The theatrical setting, with its gilded border and golden uniform, adds to the overall grandeur and allure of the image, making it a captivating piece of theatre history.

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