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Dasypus novemcinctus, Nine-banded armadillo

Dasypus novemcinctus, Nine-banded armadillo


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Dasypus novemcinctus, Nine-banded armadillo

Hand coloured lithograph by John James Audubon from The Viviparous Quadrupeds of North America, 1848. Date: 1848

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Media ID 14238302

© Mary Evans / Natural History Museum

1848 Armadillo Cingulata Dasypodidae Dasypus Eutheria Hand Coloured Mammalia North America North American Placental Mammal Side View Theria Xenarthra Dasypus Novemcinctus John James Audubon Nine Banded Armadillo


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EDITORS COMMENTS
This hand-coloured lithograph by John James Audubon, titled "Dasypus novemcinctus, or Nine-banded Armadillo," is an exquisite representation of this fascinating mammal from the Victorian era. Dated 1848, this illustration is part of Audubon's renowned work, "The Viviparous Quadrupeds of North America." The armadillo is depicted in a side view, showcasing its distinctive features – nine bands of protective plates encircling its body, brown fur, and elongated snout. The Nine-banded Armadillo (Dasypus novemcinctus) is a member of the Xenarthra order, which also includes anteaters and sloths. It is a placental mammal, meaning it nourishes its young with milk produced in the mother's body. This armadillo is native to North America, primarily found in southern regions from the southern United States to Central America. Audubon's meticulous attention to detail is evident in this illustration, capturing the armadillo's daytime habits and behaviors. The armadillo is a diurnal creature, meaning it is active during the day. It spends much of its time foraging for food, such as insects, reptiles, and small vertebrates, using its powerful claws to dig burrows and unearth prey. This lithograph is a testament to the natural history of the 19th century, providing a glimpse into the past and showcasing the beauty and diversity of the natural world. The intricate hand-colouring adds an extra layer of detail and depth to the illustration, making it a valuable piece of historical and artistic significance.

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