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IRAN. Naqsh-e Rustam. Roman Emperor Valerian yields
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IRAN. Naqsh-e Rustam. Roman Emperor Valerian yields
IRAN. Naqsh-e Rustam. Roman Emperor Valerian yields himself to the Persian king Shapur I after the battle of Edessa (259). Persian art. Sasanian art. Relief
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Media ID 14182121
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Asians Edessa Fars Figures Iran Iranian Iranians Islamic Naqsh Persian Persians Publius Rustam Sculptures Statues Valerian Yields Masculine Persons Sasanian Sassanian Sassanid
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EDITORS COMMENTS
1. Title: "The Triumph of Shapur I: Roman Emperor Valerian's Surrender at Naqsh-e Rustam" This relief sculpture, hailing from the ancient site of Naqsh-e Rustam in Iran, showcases a significant moment in history: the surrender of Roman Emperor Valerian to the Persian King Shapur I following the Battle of Edessa in 259 AD. The event is depicted in stunning detail, with both leaders depicted in regal attire and postures that convey their respective power and authority. Valerian, the Roman Emperor, is shown on the left, wearing a diadem and a cloak, his hands bound behind his back in a sign of submission. His demeanor conveys a sense of resignation, as he acknowledges the superiority of his Persian adversary. Shapur I, the victorious Persian king, is portrayed on the right, seated on his throne, his chest adorned with a lion hunter's robe, symbolizing his strength and dominance. This masterpiece of Sasanian art, with its rich colors and intricate details, offers a glimpse into the political landscape of the ancient world. The scene is set against a backdrop of rounded arches, typical of Persian architecture, and is surrounded by other reliefs depicting various victories of Shapur I. The figures are rendered with a sense of realism and dynamism, making this relief a testament to the artistic prowess of the Sasanian Empire. The historical significance of this artwork lies in the fact that it marks the first time a Roman Emperor was captured and held as a prisoner by a foreign power. The event had far-reaching consequences for the Roman Empire and the Sasanian Empire, shaping their future interactions and the course of history in the Eastern Mediterranean and the Middle East. In summary, this relief sculpture from Naqsh-e Rustam is an invaluable historical and artistic treasure, providing insights into the political, cultural, and artistic exchanges between the Roman and Sasanian Empires during the late antique period.
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