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Music cover, The Torpedo Galop
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Music cover, The Torpedo Galop
Music cover, The Torpedo Galop, by Charles d Albert, based on music from Edmond Audrans comic opera, Olivette.
1880
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14312043
© Terry Parker / Mary Evans Picture Library
Concanen Edmond Gallop Galop Gesture Olivette Opera Quay Quayside Sail Sails Torpedo Albert Audran Dalbert
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The Torpedo Galop
EDITORS COMMENTS
is a captivating music cover from the 1880s, showcasing the lively and energetic spirit of the Victorian era. The cover, designed by Charles d'Albert, is based on the music from Edmond Audran's comic opera, "Olivette." The title of the galop, or fast-paced dance, is depicted in bold, gold letters against a rich blue background. At the center of the cover, a group of elegantly dressed figures are depicted in mid-dance, their arms outstretched in a synchronized gesture. The dynamic pose and the playful expression on their faces convey the infectious joy and excitement of the galop. The dancers are surrounded by a scene of maritime activity, with ships sailing in the background and a quay or quayside bustling with activity in the foreground. The ships, with their sails billowing in the wind, add a sense of movement and adventure to the cover. The torpedo, a symbol of modern military technology, is also depicted in the image, adding a touch of intrigue and excitement. The cover's intricate details, from the ornate costumes to the meticulously drawn ships, demonstrate the high level of craftsmanship and artistry of the time. The Torpedo Galop was a popular piece of music in the late 1800s, and this cover is a testament to its enduring appeal. The cover's vibrant colors, dynamic composition, and intricate details make it a visual feast for the eyes and a fascinating glimpse into the past. Whether you're a music historian, a fan of Victorian art, or simply someone who appreciates beautiful design, this cover is sure to captivate and delight.
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