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Antoine, King of Navarre, and Jeanne III, Queen of Navarre

Antoine, King of Navarre, and Jeanne III, Queen of Navarre


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Antoine, King of Navarre, and Jeanne III, Queen of Navarre

Antoine, King of Navarre, and Jeanne III, Queen of Navarre. From a miniature painting. Chromolithograph from Hefner-Altenecks Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher

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Media ID 23181132

© Florilegius/Mary Evans

Antoine Appliances Artworks Doublet Ermine Frankfurt Hefner Alteneck Hose Jeanne Navarre


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EDITORS COMMENTS
This miniature painting depicts Antoine, King of Navarre, and Jeanne III, Queen of Navarre, in an intimate moment of regal elegance. The image is a chromolithograph, a color printing technique that gained popularity during the 19th century, taken from Dr. Jakob Heinrich von Hefner-Alteneck's comprehensive work, "Costumes, Artworks and Appliances from the Middle Ages to the 17th Century." Hefner-Alteneck, a renowned German museum curator, archaeologist, art historian, illustrator, and etcher, meticulously documented the fashion and artistry of the Middle Ages and the early modern period. Antoine, dressed in a richly embroidered hose and doublet, exudes a sense of power and authority. His ermine-trimmed robe signifies his royal status, while his stern expression conveys a sense of determination. Jeanne III, the Queen, is equally resplendent in her voluminous gown, adorned with intricate lace and embroidery. Her regal headdress, topped with a jeweled tiara, adds to her regal allure. The delicate folds of their clothing and the lifelike details of their faces attest to the skillful artistry of Hefner-Alteneck and the lithographer, C. Regnier. The painting offers a glimpse into the opulent world of the Navarrese court during the late Middle Ages, a time of political intrigue, artistic innovation, and cultural exchange. The image serves as a testament to the enduring legacy of Hefner-Alteneck's work and the richness of European history.

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