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Back of the original altar of St. Bartholomew

Back of the original altar of St. Bartholomew


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Back of the original altar of St. Bartholomew

North-east view of the back of the original altar of St. Bartholomew the Greater, built 1102. Door to charnel house at right. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1811

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Media ID 23202268

© Florilegius/Mary Evans

Altar Bartholomew C19th Etching Greater Norman Regency Sacred Topography Smith


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> Animals > Mammals > Muridae > House Mouse

> Architecture > Churches

> Architecture > Doors

> Architecture > Styles > Norman Architecture

> Architecture > Styles > Regency Architecture

> Arts > Artists > N > John Norman

> Arts > Artists > N > Thomas North

> Arts > Artists > S > John Thomas Smith

> Arts > Artists > S > Mary Smith

> Europe > United Kingdom > England > Greater London > Related Images

> Mary Evans Prints Online > New Images August 2021


EDITORS COMMENTS
This print showcases the intricate details of the back of the original altar of St. Bartholomew the Greater, a historic Norman architecture masterpiece built in 1102. The altar, located in the ancient St. Bartholomew the Great Church in London, England, is a testament to the rich history and religious significance of this remarkable place of worship. The image, produced as a copperplate engraving by John Thomas Smith for his Topography of London in 1811, offers a unique perspective of the altar's north-east side. The altar is adorned with intricately carved columns and intricate designs, reflecting the exquisite craftsmanship of the time. The door to the charnel house, a repository for the bones of the deceased, is situated to the right of the altar, adding a somber yet essential element to the sacred space. The print's meticulous detail and high-quality execution provide a glimpse into the past, allowing us to appreciate the beauty and complexity of this historic altar. The use of copperplate engraving, a popular technique during the Regency period, further enhances the print's visual appeal and preserves its intricate details for future generations to enjoy. John Thomas Smith, the skilled engraver, expertly captured the essence of this architectural marvel, providing us with an enduring record of the original altar of St. Bartholomew the Greater. This print is a must-have for anyone with an interest in Norman architecture, church history, or the artistic achievements of the Regency era.

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