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Street in Bombay Mumbai 1860s by Samuel Bourne
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Street in Bombay Mumbai 1860s by Samuel Bourne
19th century vintage photograph: Street in Bombay Mumbai 1860s by Samuel Bourne
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23416572
© Mary Evans / Pump Park Photography
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EDITORS COMMENTS
This vintage photograph, titled 'Street in Bombay (Mumbai) 1860s' by Samuel Bourne, offers a fascinating glimpse into the bustling streets of Bombay (now Mumbai) during the 19th century. The image, taken between the 1870s and 1890s, showcases the city's rich history and cultural diversity. Bourne, a renowned British photographer, captured this scene during the Victorian era when Bombay was an important center for trade and commerce. The photograph reveals a busy street filled with a mix of architectural styles, reflecting the city's multicultural heritage. Traditional Indian structures made of brick and stone stand alongside European-style buildings with grand columns and arches. The photograph also reveals the daily life of the city's residents. People from various occupations can be seen going about their work, including a group of men working on a job site, a vendor selling goods, and a man leading a horse-drawn cart. The image also showcases the diverse population of the city, with people of different races and religions coexisting peacefully. The scenery in the photograph is further enhanced by the intricate details of the buildings, the traditional Indian clothing, and the horse-drawn carriages and carts that were the primary mode of transport during that era. The photograph is an albumen print, a popular photographic process during the 19th century, which produced high-quality, detailed images. This photograph is an invaluable historical record of Bombay during the 1860s, offering insights into the city's architectural, cultural, and social landscape of that era. It is a must-have for anyone interested in the history of Bombay, India, or photography in general.
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