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Work of Italian Futurists at the Sackville Gallery, 1912
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Work of Italian Futurists at the Sackville Gallery, 1912
Double page spread from The Sketch magazine giving examples in colour of some of the paintings on display at the Sackville Gallery in London as part of an exhibition of Italian Futurists. Paintings reproduced are by Umberto Boccioni and Gino Severini. Date: 1912
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Media ID 23060534
© Illustrated London News Ltd/Mary Evans
Apr18 Exhibitions Futurism Futurist Gallery Movement Paintings Pictures Sackville Umberto Artists Boccioni Futurists
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EDITORS COMMENTS
The vibrant and revolutionary world of Italian Futurism came to life at the Sackville Gallery in London in 1912, as evidenced in this double-page spread from The Sketch magazine. The Italian art movement, which rejected tradition and embraced the modern world, was making its mark on the international art scene. Umberto Boccioni's "Dynamism of a Seated Woman" and Gino Severini's "The Futurist's Funeral" are two prime examples of the dynamic and expressive works on display. Boccioni's painting captures the essence of movement and energy with its abstracted forms and bold lines, while Severini's piece reflects the Futurist fascination with speed and technology, with its fragmented and overlapping shapes. The colorful reproductions in The Sketch offer a glimpse into the radical and groundbreaking art that was captivating audiences in London. The Sackville Gallery exhibition marked a significant moment in the history of modern art, as the Italian Futurists challenged conventional artistic norms and paved the way for new forms of expression. Boccioni and Severini were two of the leading figures of the Futurist movement, which emphasized the importance of movement, violence, and technology in art. Their works, along with those of their contemporaries, continue to inspire and influence artists to this day. This double-page spread from The Sketch provides a fascinating window into the past, offering a glimpse into the bold and innovative world of Italian Futurism.
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