Pantaleon Perez de Nenin
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Pantaleon Perez de Nenin
GOYA Y LUCIENTES, Francisco de (1746-1828). Pantaleon Perez de Nenin. Oil on canvas
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Media ID 8260357
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10208512
1746 1828 Francisco Goya Lucientes Perez Aisa Pantaleon
EDITORS COMMENTS
Pantaleon Perez Nenin, portrayed in this stunning oil on canvas painting by the legendary Spanish artist Francisco de Goya y Lucientes, was a prominent figure in the history of Spain during the late 18th and early 19th centuries. Born in 1746 in Fuendetodos, Aragon, Pantaleon rose to become a trusted advisor and confidant to King Charles IV of Spain. The painting, created in 1828, captures Pantaleon in the prime of his life, with a confident and intelligent expression on his face. His formal attire and the elegant setting of the painting reflect his high social status. Goya's masterful use of light and shadow creates a sense of depth and dimension, drawing the viewer into the painting and allowing them to connect with the subject on a personal level. Pantaleon Perez Nenin played a significant role in Spanish politics during a time of great change and upheaval. He served as the King's ambassador to France, where he negotiated important treaties and alliances. He also held various positions within the Spanish court, including the post of Chief Treasurer. Despite his political successes, Pantaleon's life was not without controversy. He was a supporter of the liberal reforms advocated by the Count of Floridabaja, which put him at odds with the more conservative elements of the Spanish government. This led to his eventual exile from Spain in 1823. Despite the challenges he faced, Pantaleon remained dedicated to serving his country and its people. He continued to advocate for reforms and worked to promote Spanish interests abroad. This painting, created late in Goya's career, serves as a testament to the enduring legacy of a man who played a crucial role in shaping the history of Spain.
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