Saint Barbara. Central detail
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Saint Barbara. Central detail
Campin, Robert, called Master of Fl malle (1378-1444). Saint Barbara. Central detail. Flemish art. Oil on wood
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Media ID 8259563
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10208231
1378 1444 Aeken Barbara Bosch Called Flemish Hieronymus Master Aisa Campin
EDITORS COMMENTS
Saint Barbara, a patron saint of artillerymen, mathematicians, and architects, is depicted in this exquisite central detail from a Flemish oil on wood painting created by the Master of Flémalle, also known as Robert Campin, around 1425. This artwork is a testament to the artistic prowess of the Early Netherlandish period. Saint Barbara, a virgin and martyr, is shown standing in a lush garden, surrounded by a vibrant array of flowers and foliage. She is dressed in rich, red robes, adorned with a golden crown and veil, and holds a palm branch in her right hand, symbolizing her martyrdom. In her left hand, she cradles a tower, representing the martyrdom story in which she was imprisoned in a tower by her father, who intended to sacrifice her to the pagan gods. A lightning bolt strikes the tower behind her, signifying her miraculous conversion to Christianity and her subsequent execution by her father. The Master of Flémalle's intricate attention to detail is evident in the delicate rendering of Barbara's flowing robes, the lifelike quality of her expression, and the realistic depiction of the garden setting. The use of oil on wood as a medium allowed for a rich, velvety texture and vibrant colors that have survived the test of time. This artwork, now housed in the Ashmolean Museum in Oxford, England, is an important historical piece that showcases the artistic innovation and mastery of the Early Netherlandish period. The central detail of Saint Barbara offers a glimpse into the intricate world of Flemish art and the devotional practices of the time. The painting's enduring beauty continues to captivate and inspire viewers, making it a cherished addition to the annals of art history.
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