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Wooden iconostasis with St. Demetrius, Pope Clement, Virgin

Wooden iconostasis with St. Demetrius, Pope Clement, Virgin


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Wooden iconostasis with St. Demetrius, Pope Clement, Virgin

Wooden iconostasis of the church of St. Demetrius of Kola. Dated 1690. At the bottom are represented: St. Demetrius, Pope Clement, Virgin Hodegetria, Pope Sylvester, enthroned Christ, Pope Leo and St. John the Baptist. Byzantine Museum. Zante. Ionian Islands. Greece

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Media ID 14316534

© Thaliastock / Mary Evans

1690 Baptist Byzantine Christ Clement Demetrius Enthroned Hodegetria Icon Iconostasis Icons Kola Pope Saints Sylvester Virgin Zante


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EDITORS COMMENTS
1. Title: "A Byzantine Legacy: The Wooden Iconostasis of St. Demetrius of Kola (1690), Zante, Ionian Islands, Greece" 2.. This exquisite wooden iconostasis, dating back to 1690, is a remarkable testament to the rich artistic and religious heritage of the Byzantine era. Housed in the Byzantine Museum of Zante, in the Ionian Islands of Greece, this masterpiece was created for the Church of St. Demetrius of Kola. The iconostasis, a traditional architectural element of Eastern Orthodox and Greek Catholic churches, is adorned with intricately painted icons. At the center, an enthroned Christ Pantocrator (Almighty) presides over the assembly of saints. The figures depicted include St. Demetrius, the patron saint of the church, Pope Clement, the Virgin Hodegetria, Pope Sylvester, Pope Leo, and St. John the Baptist. The icon of St. Demetrius, a military saint, is depicted in armor, symbolizing his protection and strength. Pope Clement, the fourth Bishop of Rome, is shown wearing papal regalia, signifying his spiritual authority. The Virgin Hodegetria, the Guiding Mother of God, is depicted with the Christ Child in her arms, symbolizing guidance and nurturing. Pope Sylvester, the traditional first pope, is shown as an elderly man, symbolizing the long history and continuity of the papacy. Pope Leo, the Great, is depicted as a young man, emphasizing his charisma and leadership. St. John the Baptist, the forerunner of Christ, is shown as a hermit, symbolizing his preparation for the coming of the Messiah. This wooden iconostasis, with its intricate details and vibrant colors, is a testament to the artistic and religious traditions of the Byzantine era. It is a reminder of the deep spiritual connection between the people of Greece and their rich cultural heritage. The iconostasis continues to inspire awe and reverence, as it stands as a symbol of faith and devotion in the Byzantine Museum of Zante.

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