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Fludds cosmology, 1617
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Fludds cosmology, 1617
human, cosmos, animal, primate, , god, universe, history, religion, cosmology, astronomy, astrology, muse, deity, adult, female, woman, caucasian, artwork, illustration, engraving, monochrome, black-and-white, 17th century, 1617, medieval, historical, people, person, laid paper, plate xviii, plate 18, utriusque cosmi historia, english, european, mystical, religious, divine, macrocosm, microcosm, earth, heavenly, terrestrial, sphere, spheres, celestial, mother nature, planets, astrological, mysticism, mirror of the whole of nature, and the image of art, integrae naturae speculum artisque imago, latin, chain, chains, natural order, dominion over animals, dominion over man, wildlife, fauna, cosmological, astronomical, 1600s, middle ages, mediaeval, 9212307
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Media ID 9212307
© GREGORY TOBIAS/CHEMICAL HERITAGE FOUNDATION/SCIENCE PHOTO LIBRARY
1600s 1617 17th Century Astrological Astrology Celestial Chain Chains Cosmological Cosmology Cosmos Deity Divine Engraving Heavenly Laid Paper Latin Mediaeval Medieval Middle Ages Muse Mystical Mysticism Planets Primate Religion Religious Sphere Spheres Terrestrial Universe Macrocosm Microcosm Mother Nature Plate 18 Utriusque Cosmi Historia
EDITORS COMMENTS
This black-and-white print from 1617 showcases Fludd's cosmology, a mesmerizing blend of history, religion, and celestial wonders. In this intricate engraving, we witness an amalgamation of human existence with the vast cosmos that surrounds us. At its center stands a female deity, representing Mother Nature herself. With her ethereal presence and divine aura, she symbolizes the interconnectedness between mankind and the universe. Surrounding her are various spheres depicting the heavenly bodies and planets that have captivated astronomers for centuries. Flanking these celestial spheres are representations of earthly life: animals and primates. These creatures embody our connection to the natural world as well as our dominion over them. The chain motif further emphasizes humanity's role in maintaining order within both animal kingdoms and among fellow humans. The artwork's monochrome aesthetic adds a sense of mysticism to this historical piece while highlighting its medieval origins. It serves as a mirror reflecting not only nature but also art itself – an image capturing the essence of both macrocosm (the universe) and microcosm (humanity). As we gaze upon this enchanting illustration on laid paper, Plate XVIII or Plate 18 from Utriusque Cosmi Historia by Robert Fludd, we are transported back to a time when astronomy intertwined seamlessly with astrology and religious beliefs shaped our understanding of the cosmos.
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