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Science fiction story, 19th century

Science fiction story, 19th century


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Science fiction story, 19th century

Science fiction story, 19th-century artwork. This artwork accompanied the republication in serial form of part of an early French science fiction story Ignis (1883). Written by the French author Didier de Chousy, the story centred on the efforts of a group of scientists and engineers to harness the power of the Earths central fires. It also touched on themes of dystopia and future technologies. Artwork from the 18th volume (second period of 1896) of the French popular science weekly La Science Illustree

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Media ID 6338553

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1883 1890s 1896 Annual Volume Communicating Communication Communications Domestic French Future Futurism Hear Home House House Hold La Science Illustree Listen Listening Literature Louis Figuier Magazine Phone Popular Science Talking Telecommunication Telecommunications Telephone Telephoning Weekly Wireless Dystopia Dystopian Ignis Mono Chrome


EDITORS COMMENTS
This 19th-century artwork, accompanying the republication of an early French science fiction story called Ignis, takes us on a journey into a world of imagination and technological wonder. Created by the talented French author Didier de Chousy, this gripping tale revolves around a group of brilliant scientists and engineers who embark on a daring mission to harness the Earth's central fires. The illustration itself captures the essence of this speculative narrative, depicting a European man in his home engaging in what appears to be futuristic communication. With an air of anticipation and excitement, he holds a device resembling an early telephone while conversing with someone unseen. The monochrome aesthetic adds depth and intrigue to the scene, transporting us back to an era where wireless communication was nothing short of extraordinary. As we delve deeper into this mesmerizing piece, we are reminded that even in the late 1800s, authors like De Chousy were exploring themes such as dystopia and future technologies. This particular artwork is from La Science Illustree's 18th volume during its second period in 1896 – a popular French science weekly that captivated readers with its blend of scientific knowledge and artistic expression. Through this historical lens, we catch glimpses not only into our past but also into our own fascination with technology-driven futures. It serves as a reminder that speculative fiction has long been at the forefront of pushing boundaries and igniting our imaginations about what lies ahead.

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