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Egyptian civilization, limestone pillar statue of Amenhotep IV (Akhenaten), from Aton Temple at Karnak

Egyptian civilization, limestone pillar statue of Amenhotep IV (Akhenaten), from Aton Temple at Karnak


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Filename: 940_18_10345868.jpg

Size: 2292 x 3685 (1.4MB)

Date: 8th March 2014

Source: Universal Images Group (UIG)

Source: De Agostini Picture Library

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Egyptian civilization, limestone pillar statue of Amenhotep IV (Akhenaten), from Aton Temple at Karnak

Egyptian civilization, New Kingdom, Dynasty XVIII. Limestone pillar statue of Amenhotep IV (Akhenaten), from the Aton Temple at Karnak

Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide

Media ID 9452011

14th Century Bc 18th Dynasty Ancient Egyptian Culture Limestone New Kingdom Pharaoh Amenhotep Iv


EDITORS COMMENTS
This print showcases the grandeur and artistic mastery of ancient Egyptian civilization. Standing tall, a limestone pillar statue of Amenhotep IV (Akhenaten) commands attention with its imposing presence. The sculpture originates from the Aton Temple at Karnak, an iconic site that symbolizes the glory of Egyptian culture during the New Kingdom, specifically Dynasty XVIII. The image captures this remarkable male likeness in all its glory, showcasing intricate details and exquisite craftsmanship. Despite being thousands of years old, the statue's preservation is awe-inspiring; it stands as a testament to the enduring legacy left by pharaohs who ruled over Egypt. Displayed indoors against a neutral backdrop, this photograph allows us to appreciate every curve and contour carved into the limestone surface. The play of light and shadow accentuates each delicate feature while adding depth to its overall composition. Transporting us back in time to 14th century BC, this image invites contemplation on ancient Egyptian art and craftmanship. It serves as a window into their rich cultural heritage - one that continues to captivate scholars and enthusiasts alike. As we gaze upon this magnificent piece devoid of any human presence today, we are reminded that even without words or actions captured within its frame, it speaks volumes about an era long gone but never forgotten.

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