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Head of Aphrodite (circa 325 B. C. ) by the School of Praxiteles, marble
Filename: 940_18_87008002.jpg
Size: 2683 x 3429 (1.9MB)
Date: 10th March 2014
Source: Universal Images Group (UIG)
Source: De Agostini Picture Library
Universal Images Group (UIG) Photo Prints and Wall Art
Head of Aphrodite (circa 325 B. C. ) by the School of Praxiteles, marble
Head of Aphrodite (circa 325 B.C.) by the School of Praxiteles, marble 4th Century B.C. Italy, Taranto, Museo Archeologico Nazionale (Archaeological Museum), Greek art
Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide
Media ID 9473155
4th Century Bc Ancient Greece Aphrodite Classical Greek Style Female Likeness Greek Goddess Grey Background Human Head Marble Roman Goddess Venus Archaeological Artifact
EDITORS COMMENTS
This print showcases the exquisite "Head of Aphrodite" sculpted by the School of Praxiteles around 325 B. C. Carved from marble, this ancient masterpiece is a testament to the skill and artistry of Greek artisans. Housed in the Museo Archeologico Nazionale in Taranto, Italy, this archaeological artifact transports us back to a time when Greek art flourished. The serene expression on Aphrodite's face reflects her status as the goddess of love and beauty in both Greek and Roman mythology. This vertical composition allows us to appreciate every delicate detail of this female likeness, emphasizing its timeless elegance. Against a grey background, we are reminded that this sculpture has withstood centuries, preserving not only its physical form but also its historical significance. The Head of Aphrodite serves as a window into ancient civilizations such as Ancient Greece and Rome, offering insights into their religious beliefs and artistic traditions. As we gaze upon this single object captured in studio shot perfection, we cannot help but marvel at how human representation through art has evolved over time. This classical Greek style exemplifies the mastery achieved by Praxiteles' school during the 4th century BC. Intriguingly enigmatic without any people present within the frame, it invites us to ponder about our connection with history and our place within it. With no mention made regarding commercial use or affiliations with companies other than Universal Images Group (UIG), we can fully immerse ourselves in
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